Though weird, I can get along with recording audio that's on the grid in this way - with the ERM offset at +1ms. This setup seems to work fine for all synths in the studio apart from the Pro 3. The reasoning behind this setup is that it allows us to record midi or audio for each synth in the studio. an audio channel that has it's input set as the output (post mixer) of the midi channel. This is where the bar long midi note is triggered.Ģ. a midi channel with an external instrument plugin, these generally have 7-8ms of latency set. I've tried power cycling with the USB cable plugged in, still can't get it working.Ībleton set up: Delay compensation and reduced latency while monitoring are turned on. I understand there is a bug with USB midi in this version that we're waiting to be resolved. I've tried to get it working with USB midi to sanity check but I can't seem to get it working. Pro 3 has latest firmware installed: 1.1.0. For it to be "in time" it must show each note of the arpeggiator as being on the grid in the resultant audio recording. This is weird.īy "in time" I mean that the audio signal that gets recorded in Ableton is on the grid when I use a basic patch with arpeggiator and trigger it with a bar long midi note from Ableton. The Pro 3 needs an offset of "+1ms" to be set on the ERM in order for it to be in time. There are other synths also clocked by the ERM and all have an offset between +30 to +49 as is to be expected. As it has previously noted, this little adapter should be included in the package of the E-RM multiclock, since it is so essential if you run a eurorack. For dynamic voltage scaling to be ef- fective, its associated dynamic. Because at KFV, a multi-point lock is not just a series of different locking. This way maximum security demands and comfort requirements are fulfilled with ease. ![]() There is a Prophet 08 also being clocked by the same ERM multiclock at the same time, in order to be in time it's offset is set at +49ms. be extended to the scheduling problem for each dynamically clocked local domain. With key-operated KFV multi-point locks all the locking elements in the main lock and in the auxiliary lock cases can be operated by a double turn of the key in the main lock. ![]() ![]() This means that we would expect any synth clocked by the ERM to need an offset set on the ERM of around +50ms or a little less in order to account for latency. The ERM is sent an audio signal from Ableton as it's master clock, on a track that has a -50ms delay. The Pro 3 is being clocked via midi din from an ERM multiclock. I've looked through the previous posts here and nothing seems to cover it, so I've created a detailed bug report. Firstly, I love this synth! However I am having some weird sync issues with the Pro 3.
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